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Read These

I got this book when I was in first year of college, practical and full of useful advice. Great for someone who wants to learn a little more about the reality of design rather than theory. – Youssef

While working at EdenSpiekermann in Amsterdam, I was lucky enough to work along side of Erik Spiekermann; so I bought his book to learn more about him. Simple, thought provoking book. – Youssef

Behind WhiteInk

This website has been set up by two graphic designers based in Dublin, Ireland. It serves as a joint output of their thoughts, projects and feelings. They hope you find it useful and that by sharing their ideas and thoughts they can learn from one another and their readers.

Youssef Sarhan
Currently studying at The National College of Art & Design, Ireland. I enjoy what I do. Read some articles to get a feel for what I’m about.

Tim Phelan
Graphic Designer and illustrator. Currently studying in the National College of Art & Design. I have a strong passion for illustration and photography.

Designing by convention

An article on Design by Youssef Sarhan ON 18 June 2009

A few years ago I flew with Lufthansa Airlines and apart from the quality service what really stuck with me was their branding, it is highly consistent across all platforms, it’s orderly, you can tell that each time the logo was used it was well calculated and advised, it is treated with respect, exactly how branding should be by definition. The crane in flight, was created by Professor Otto Firle in 1918, it has stood the test of time and in some way has set a standard for how airline logos look today.

A short time ago I was cycling around Amsterdam when I spotted the offices of Surinam Airways and invariably their logo. I stopped the bike to take a closer look at its resemblance to the Lufthansa logo. A couple of weeks pass and I see another airline logo, this time it’s Air India; once again it had characteristics of the Lufthansa bird. After this I began to think more about familiarity within design, there are predefined rules and expectations for nearly every single piece of design out there. When these expectations aren’t fulfilled we can easily feel lost and uncertain. If we are going to change convention it needs to be replaced with something better. There is a very fine line between hitting the right visual note or succumbing to tiresome solutions or in some cases direct copying. I cannot stand plagiarism, it is totally inexcusable; however in this article I am discussing the influence of convention as opposed to stealing. Personally I find many of these airline bird logos to be highly generic and very forgettable. Design with the expectations of the end user in mind is crucial, if it is a box of cereal it needs to look like a box of cereal. On the contrary preconceived notions and ideals can easily play too much of a role in determining the final solution all the while forgetting about innovation and creativity.

airlinelogos1

It is important for a logo, particularly in the service industry to communicate the service of the company. Birds fly, as do planes, it’s an obvious connection which communicates exactly what it needs to. At what point does designing by convention or common rhetoric become a lazy or boring solution. Design conformity is something that I struggle with on every single project I work on, convention makes it very had to try something drastically new or different, we need and want to feel familiarity. Trying to change convention can easily result in confusion if we’re not careful. If The New York Times decided to change it’s title header type it would no longer be The New York Times. It’s possible to dramatically change things, so long as the change is for the better, but as usual change will met with resistance.

milk

I recently attended a seminar on way-finding, we were introduced to fundamentals, theories and logical reasoning behind way-finding decisions. Way-finding diagrams rely a lot on the convention of urban-planning maps and educated guessing, a green patch on a map means grass, a blue patch translates to water and a gray block is read as buildings; these are not rules but rather elementary standards which define how we approach such a task. We feel comfortable when we see what we know, disregard these expected standards and you better have a superior alternative. We feel comfortable buying a blue carton with a white splash on it as we know it’s milk, even if we can’t read a word on it, mix up the colours and you’ve got a different product. Convention is useful and unavoidable, most of the time it exists because it works but it can nearly always be improved on. As designers this is where we come in, to improve what is already there. This leads me full circle back to the airline logos, they are conforming to the basic idea of a bird in flight but are failing to improving on the concept, all the logos begin to look the same without any clear distinction between each of them.

airlinelogos2

From a customer point-of-view some of these logos are so similar that in most cases they could be interchanged with one another, there is very little distinction between them. We see this in many areas of design, people who conform to preexisting standards for no reason other than feeling safe, afraid to take risks because they know what has worked, not thinking about advancing but rather freezing in a moment scared to break the mold. The thought of failing is too much to worry about so they settle on the safety of tried and tested design, this way of working will only lead to blind ignorance and tiresome solutions. On your next project try something very different, open up and see what happens. Take a risk.

Comments

  1. Tim Phelan says:
    18 June 2009 at 11PM

    This is very true, you really described that fine line that can exist between design that is scared to move forward and that which can destroy the foundations of communication. For example, it is not a good idea to change milk to anything other then how it already exists, it would confuse and goes against an established system of communication. Branding however should be more versatile.

    With huge jobs like airlines things possibly are more complicated. Im sure it is the mission of every designer to be truly original but the unfortunate issues are possibly the clients. Perhaps, instead of relying on ’safe’ design the designer should begin to challenge the clients options, ultimately changing the relationship between the client and designer. How a designer is perceived?

    Reply
  2. kilmc says:
    25 June 2009 at 12PM

    Seriously good article.

    It’s a useful thing to think about before you start designing a new project because you will try and approach it from different angles and aspects if this type of thinking is a new concept. People don’t like being thought of as generic and so after reading this I certainly feel concious of my own design habits and how I should try to break them.

    That being said I really like how you point out that certain elements in design are crucial and it is re-branding a product rather than re-designing it that makes it work for the masses.

    You can re-design milk, but for that you need new cow, however you can re-brand milk, all you need is a creative mind.

    Thanks Youssef

    Reply

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